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PostModern Experimental Conscious Hip-Hop mixed with and for the SkullCandy Crusher Headphone's unique immersive bass feature. (Note: Mixtape may still be played on normal audio systems, it is just optimized for immersive bass systems as well).
Digital Verse & Symphonic Beats Volume 1 presents a completely new and full audio experience. With an arrangement specifically tuned for the SkullCandy Crusher Headphone’s unique and original immersive / sensory bass feature, the music made available here for free download by the TopSecretMusicNetwork features a variety of tracks from 5 different albums of 3 up and coming, equally unique and original, genre blending music artist’s from Atlanta, GA. There are also a few tracks being released for the first time on this mix. These tracks each push the limits of music in their own way, and have been selected and organized so as to reduce audio fatigue with immersive bass at 100% (even with device volume at 100% for the whole mix) by ensuring that the bass sound and volume changes in dynamic ways from track to track, and sometimes even within the tracks themselves. This may be hardly noticeable on normal audio systems, however immersive bass is pretty much like Subwoofers in your headphones that send vibrations through your whole head with each subtle change in the bass, so it makes a pretty big difference for those with these headphones...
Featuring the “Biggest BASS Beat Battle”: JunkParis on Reason (track #7) vs. TMCG on FL Studio (track #8) (intended for the SkullCandy Crusher Headphones with immersive Bass feature) Producers may compare how two different beat making / music production softwares sound when each producer creates an instrumental beat with the same goal being “lots of moving bass notes.” So… let us know who wins!
About the Artists:
Lyricist Tiger Cannon likes Wu-Tang Clan, Madvillain, Rakim, and Blu
Producer TMCG likes Dr. Dre, The Neptune’s, HitBoy, 9th Wonder, and Beethoven
Producer - JunkParis likes Ratatat, RJD2, and STRFKR
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